The circumstances of Wayne's birth are kept secret from everyone else in town, including Wayne. His father, a hunter and trapper, tries to make him as tough as possible. "The child knew that a grim, matter-of-fact attitude was required of him by his father, and he learned how to exhibit such an attitude, and he did not mind it because it was the way things were, but it was not his authentic self." Wayne is careful to express his artistic side only in private: dancing, dreaming and drawing. Yet his outward appearance cannot be hidden, especially with the onset of puberty.
Lyric prose brings readers into the wilderness and the kitchens of Labrador - the latter being closely tied to the former. "Thomasina was boiling partridgeberries and sugar, and the kitchen was full of their bloody, mossy tang that smells and tastes more of regret than of sweetness."
The issue of gender identity for an intersex individual is handled with grace by author Kathleen Winter. Wayne and his parents and Thomasina are portrayed with warmth and depth. Each one of them is lonely, yet they persevere. The reward is hope and possibility.
Readalikes: The Winter Vault or Fugitive Pieces by Anne Michaels (for the poetic writing style) or Middlesex by Jeffrey Eugenides (for a more sensational treatment of an intersex protagonist).
2 comments:
I agree with you on the lyrical prose and the grace with which Kathleen handles the issue of gender identity, but I found the characters cold and emotionless. I liked the writing, and admired the story, but had trouble making a connection to anybody (including Wayne/Annabel).
I would call the characters - especially Wayne and his family - tightly self-contained, rather than cold. Anne Michaels and Jane Urquart do this with their characters too. I felt that the harsh Labrador landscape had shaped personalities almost as much as it shaped the lifestyles of the people living there.
Post a Comment