Several years are usually represented on one page, in overlapping panels. It's remarkable how well this works to build a rich sense of the passage of time. The circle of life is timeless, so the overall narrative can be read in any order. I comfortably flipped backwards and forwards through the book to confirm details and sort out sequences. To make it easier, each panel is labelled with a small date in the upper left corner and the colour schemes remain consistent for each year. The prominent shades are mustard, grey-blue and plum.
There is meticulous attention to small details. For example, a museum poster advertising a Vermeer exhibit occupies the same place on the wall in 2015 where a print of Vermeer's The Letter hung in 1943. A child hiding behind a tree in 1775 echoes a child hiding behind a window curtain in 1936.
|Here (partial page detail): against a background scene from 1775, |
an inset labelled 1564 shows the maple when it was a seedling,
while a man hopes for the best in 1953.
In the same place where a circle of chairs are set up for a children's party game in 1993, a dinosaur walks in 80,000,000 BCE, a bison rests in 10,000 BCE, a buck forages beneath the snow (moments before being struck by an arrow) in 1402, a wolf carries a deer leg in 1430, indigenous women scoop water from a stream in 1553, an indigenous couple flirt with each other in 1609, a cow grazes in 1869, we see the house being built in 1907, and a child builds a tower of blocks in 2017. One of the final images is of children playing ring-around-the-rosy outdoors in that spot in 1899. "Ashes! Ashes! We all fall down!!!"
We all have a place on this planet we call Earth. For McGuire's humans and nonhumans alike, that place is Here.
Readalikes: One Soul (Ray Fawkes); Building Stories (Chris Ware); and several picture books by Jeannie Baker: Where the Forest Meets the Sea, Home, and Window.