
Miriam McDonald narrates the audiobook (Harper Audio; 9 hours) with an appropriately matter-of-fact delivery, in the way Baby herself avoids being too deeply affected by the tragedy of her situation. Audiobooks with long tracks can be really annoying because when I stop partway through a track, I have to re-listen from the beginning of the track when I get back to the book. (My player doesn't have fast-forwarding within tracks.) For some reason, Canadian titles are especially bad in this regard and Lullabies for Little Criminals is a case in point, with tracks about 20-25 minutes long. I started listening to the final CD and had to stop at the 25 minute point, even though the track wasn't yet over. Thinking that it must be near the end, I switched to track 2 when I was ready to listen again, only to hear "thank you for listening etc." So I started again from the beginning. After about 50 minutes, I managed to drop my player and it fell apart. Luckily, it still worked once I had reassembled it. Unfortunately, I had to start all over again from the beginning of the CD in order to hear how the story ended. I gave up and got a copy of the book instead so that I could read the final 15 pages.
The paper edition had a note from the author at the end, talking about Baby: "The main character is twelve for a good chunk of the book. Twelve is a beautiful and striking age. It's when kids start talking big and thinking about how they could make it on their own: just like angels right before they are cast out of heaven. They have such innocent and dangerous ideas."
I think it is this newness to the world that makes teen characters like Baby so very appealing; they remind me what it was like to experience everything for the first time.
Grade 10- up. Readalikes: Blink & Caution by Tim Wynne-Jones (which I'm going to blog about next); Rose of No Man's Land by Michelle Tea; Broken China by Lori Aurelia Williams; Saint Iggy by KL Going.
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