Showing posts with label Asia/Asian. Show all posts
Showing posts with label Asia/Asian. Show all posts

Saturday, October 31, 2020

October 2020 Reading Round-Up


While healing from broken toes on both feet (too much exuberance; don't ask me more) and repetitive strain in both arms (too much blogging of reviews as a Giller shadow juror), I've had plenty of time to read in October. I've been fussy, too, abandoning a couple of books that weren't holding my interest. Yaa Gyasi's Transcendent Kingdom was one; no doubt it was just the wrong book for me at the time, since I loved her first, Homegoing.

What follows are a dozen brief reviews and selected quotes from some reading (and audiobook listening) highlights this month:

Breasts and Eggs by Mieko Kawakami
Translated by Sam Bett and David Boyd


A story of two sisters in today‘s Japan. One is asexual. They grew up in poverty & don‘t have much money as adults. Not much happens, yet I found the characters fascinating; getting to know them from the inside is the treat of this immersive novel. Serious issues are tackled, including parenthood, gender roles in society, cosmetic surgery, and choosing to live one‘s life against the grain. 

        Beauty meant you were good. And being good meant being happy. Happiness can be defined in all kinds of ways, but human beings, consciously or unconsciously, are always pulling for their own version of happiness. Happiness is the base unit of consciousness, our single greatest motivator. Saying “I just want to be happy” trumps any other explanation.

        I unlocked the door and entered the familiar assortment of shadows. It was uncomfortably cool, almost like winter. The carpeting felt damp. It actually smelled like winter. Which was funny, since I hadn‘t noticed it outside. Does that mean the smell was inside my apartment? When the temperature and intensity of the sunlight and the quality of night all met certain criteria, did that smell issue from the books and clothes and curtains and the other nooks and crannies all at once? Remembering something.

        Once I was reclined there in the darkness with my eyes closed, I felt like my brain was being broken down and packed away. I couldn‘t fall asleep.

Just Us: An American Conversation by Claudia Rankine


Claudia Rankine is amazing, not only for her intellectual rigour in these essays about the racist structure of American society, but also for her open-minded engagement in conversation with white people—friends and strangers—on this topic. Her desire to understand racist viewpoints strikes me as a useful step in dismantling them, and then moving on to the next step: creating a better future.

        My own interracial marriage exists inside a racist America whose ways make life more difficult. Many times driving in NYC and NJ, we were pulled over by police and asked how we knew each other; there are all the places my husband walks into while I‘m stopped at the door; and there are the white women who understand our relationship to be anything but a marriage as they step between us to flirt.

        A friend insists that attaching blondness to whiteness and white supremacy is ridiculous. It just looks better on most women, she claims. I am not white, so I try to inhabit her form of certainty. My friend‘s unwillingness to interrogate why “better” and “blond” are married interests me.

        The idea that one can stand apart is a nice fantasy but we can‘t afford fantasies.

        A white friend tells me she has to defend me all the time to her white friends who think I‘m a radical. Why? For calling white people white? For not wanting black people to be gunned down in our streets or black girls to be flung across classrooms & thrown to the ground by officers? What does that even mean? I ask her. Don‘t defend me. Not for being human. Not for wanting us to simply be able to live.

Projections edited by Rebecca Romney


Speculative fiction from the past -- published between 1836-1998 -- have been selected by Rebecca Romney for the way these stories reflect on contemporary reality. It's a literal box of delights: the dozen attractive, individually-bound booklets in this anthology come packaged in a gorgeous container. It's published by Hingston and Olsen, the same talented duo that has been creating Short Story Advent Calendars.

The New Wilderness by Diane Cook
Audiobook [13 hr] read by Stacey Glemboski


It‘s fitting that Emily St John is the author chosen for the cover blurb on this compelling and unsettling near-future survivalist tale, since both authors explore group dynamics under extenuating conditions. The mother-daughter relationship at the core of Cook‘s novel is practically visceral in its depiction. I was completely swept up.

        There used to be a cultural belief, in an era before she was born, that having close ties to nature made one a better person. And when they first arrived in the Wilderness, they imagined that living there might make them more sympathetic, better, more attuned people. But they came to understand there'd been a great misunderstanding about what better meant. It's possible it simply meant better at being human, and left the definition of the word human up for interpretation.

        What made it one of the most popular magazines in circulation were the vintage spreads it printed every month. Scenes from the archives of the old days: old estates, sprawling penthouses, rustic sheep farms, front porches, lawns, and even sky blue pools. Views of landscapes that were nice to look at, of attics, of homes in all sorts of weather. These were astonishing to look at now.

Hamnet and Judith by Maggie O'Farrell
Audiobook [11 hr] read by Daisy Donovan


Another audiobook that totally swept me away. The impact of a child‘s death is exquisitely portrayed, with all of the deeper resonances that accrue from choosing to place the family in the path of a (bubonic) plague and for the male head of that family to be a 16th-century English playwright whose name is recognized worldwide today, even though it is never mentioned in the novel. But why did the Canadian publisher change the title? (In the UK it's simply Hamnet.)

        She grows up feeling wrong, out of place, too dark, too tall, too unruly, too opinionated, too silent, too strange. She grows up with the awareness that she is merely tolerated, an irritant, useless, that she does not deserve love, that she will need to change herself substantially, crush herself down if she is to be married.

Interior Chinatown by Charles Yu
Audiobook [4 hr] read by Joel de la Fuente


This novel about anti-Asian racism in the USA is playfully inventive... and also heartbreaking. 

        “I have to talk with an accent because no one can process what the hell to do with me. I‘ve got the consciousness of a contemporary American and the face of a Chinese farmer of 5,000 years ago. Asian man. It‘s a fact. Look it up. No one likes us.”        

        “Falling in love is a story.” She says that telling a love story is something that one person does. Being in love takes both of them. Putting her on a pedestal is just a different way of being alone. 

          She brings incense and a shrine to her ancestors and a smaller one for a particular minor deity, the god of immigration and prosperity and real estate transactions, which started out a long time ago as the greater spirit of irrigation and good fortune and agriculture. This is the deity who understands, above all, location, location, location.       

        You hold your daughter in your arms. She looks at you and you know that she came from somewhere else. Somewhere beyond your comprehension, the little tiny interior space you‘ve been living in, inside your own dumb head. You know that she is an alien from another planet here to save you, a being from some far away land. She takes one look at you, and you know that she knows things about you, and you know things about yourself you didn‘t before. You‘ve been a father for approximately 10 seconds and you know for certain that you will never be the same.

Azadi: Freedom. Facism. Fiction by Arundhati Roy


The crystalline essays in this collection are mostly adapted from lectures given between June 2018 and April 2020. Azadi—Freedom—is a rallying cry for social justice in the Indian subcontinent. May the humane, intelligent voice of Arundhati Roy challenge the murk of fascism and shine a light towards a better future.

        As India embraces majoritarian Hindu nationalism, which is a polite term for fascism, many liberals and even communists continue to be squeamish about using that term. This, notwithstanding the fact that RSS ideologues are openly worshipful of Hitler and Mussolini, and that Hitler has found his way onto the cover of an Indian school textbook about great world leaders, alongside Ghandi and Modi.

        Is fascism a kind of feeling—in the way anger, fear and love are feelings—that manifests itself in recognizable ways across cultures? Does a country fall into fascism the way a person falls in love? Or, more accurately, in hate? Has India fallen in hate?

        The principles of equality are anathema to the caste system. It‘s not hard to see how the idea that some human beings are inherently superior or inferior to others by divine mandate slides easily into the fascist idea of a “master race.” To escape the tyranny of Brahminism over the centuries, millions of Dalits and people from other subjugated castes converted to Islam, Sikhism or Christianity. So, the politics of Hindu nationalism and its persecution of minorities is also intricately intertwined with the question of caste.

        Today, 13 February 2020, marks the 193rd day of the Indian government‘s shutdown of the internet in Kashmir. After months of having no access to mobile data or broadband, now 7 million Kashmiris, who live under the densest military occupation in the world, have been allowed to view what is known as a white list—a handful of government-approved websites. […] It‘s the equivalent of giving a thirsty person water from an eyedropper.

        Reporters Without Borders say that India is the fifth most dangerous place for journalists in the world, ranked just above Afghanistan, Syria, Yemen and Mexico.

A Burning by Megha Majumdar

There‘s no art besides fiction that lets you live inside the consciousness of other people. In this novel set in Mumbai, India, rotating viewpoints of three main characters bring to heart the prejudice, injustice & inequality that's embedded in Indian society. My heart broke for Jivan, wrongfully accused of being a terrorist. Lovely, a hijra, is appealing in her irrepressible ambition. Even PT Sir‘s ignoble actions are understandable.


A History of My Brief Body by Billy Ray Belcourt
Audiobook [4 hr] read by author


In emotionally intense vignettes, Belcourt documents his first 25 years as a gay Nêhiyaw man, reaching for the poetic possibilities in life. These erudite essays focus on his self-reinvention after leaving his northern Alberta reserve to attend university and subsequently earn a PhD in English. Belcourt writes about finding joy, connections and purpose, despite the racism in Canadian society. 

The creative drive, the artistic impulse, is above all a thunderous yes to life.

How Not to Spill by Jessica Johns


Like Billy Ray Belcourt, Jessica Johns is queer and Nêhiyaw from northern Alberta. Her first poetry collection is only 40 pages, so it didn‘t take long for me to read through it twice. And I will read through it again, because I can't get enough. “My ceremony is facetiming my nieces & nephew every sunday.” From badass grandmothers to dreams about MySpace, love letters, warnings and doorways: these are poems about holding on to beauty no matter what.

        if i were
        a tornado i‘d make sure to drop
        something nice off at your house:
        a dairy cow, a bouquet of wheat
        from alberta, a time machine.

----------

        I FELL IN LOVE ON TWITTER

        which if you didn‘t know
        is the worst place to fall
        in love or lust
        to be earnest
        & funny
        & cree
        & queer
        & every other
        beautiful thing

The World Is Round by Nikky Finney


I picked this collection up to revisit Nikky Finney‘s poetry while waiting for her newest work. Her fierce, joyous, loving celebration of ordinary people—especially black women—lifts my heart. From an unborn child, to a beloved grandmother, to an adult lesbian daughter, to the “sun‘s womb,” these poems encompass the personal, the political, and more. The World Is Round, first published in 2003, stands up firmly against the test of time.

        I cast out among the learned and teach
        to alter sleeping states. I stand before the
        university pond and fish for the living who
        send air bubbles up to the learned who know
        real life bestows no terminal degrees.

----------

        “Ain‘t Too Proud to Beg”
            —The Temptations, 1966

        Ho Chi Minh
        and my father
        chain-smoked
        Salem cigarettes
        all their lives.

        I am my father‘s
        manifesto.
        His little red book
        begging him to stop.

The Good German by Dennis Bock
Audiobook [7 hr] read by Adam Verner


What if Hitler had been assassinated, and then Germany signed a treaty with the US and won WWII after dropping an atomic bomb on London? From the 1940s — 60s, we follow the lives of several people of German ancestry in Canada, where they are persecuted simply for being German. Meanwhile, across the US border, antisemitism grows. 
A thoughtful alternate history. Is guilt a form of madness? Who is responsible for the suffering and tragedy in our lives? 

        “Don‘t ever think in absolutes, okay?” he said. “There‘s always something hopeful out there, something to strive for.”

Banned Book Club by Kim Hyun Sook, Ko Hyung-Ju, and Ryan Estrada


The author‘s true story of her political activism in South Korea, in 1983 when she was a first-year university student. The well-drawn cast of characters tugged at my heartstrings and their fervour in the face of oppression is inspiring. The final chapter, set in 2016, shows all of them gathered to protest another corrupt government but also aware of the gains that their efforts realized over the years. Black and white comics format.



Hyun Sook: Did they take you in for questioning?
Yuni: That‘s what THEY called it.
Hyun Sook: Was it as violent as what happened to Hoon and Jihoo?
Yuni: When it comes to women, they inflict a different KIND of violence. The kind that doesn‘t heal. The kind you can‘t wear like a badge of honour. The kind I hope you never have to experience.



Monday, August 24, 2020

Secret Lives of Mothers and Daughters by Anita Kushwaha

Secret Lives of Mothers and Daughters by Anita Kushwaha
HarperAvenue, January 2020

Shifting viewpoints reveal the lives of several South Asian Canadian women, linked through adoption.

I am always up for stories about women's lives, especially those that describe lives different from mine. I am also fond of narratives told from more than one perspective, so The Secret Lives of Mothers and Daughters seemed perfect for my tastes. The epigraph is from Jane Eyre, however, which raised a red flag. Jane Eyre is too gothic and too romantic for me. Many of you adore Jane Eyre, so keep your own tastes in mind as you read this review. The aspects that didn't work for me might be perfect for you.

Nandini and Prem Shukla adopt Asha when she is eight months old. They were given a letter for Asha that was written by her birth mother, but Nandini has an underlying jealousy of the birth mother and a fear of maternal inadequacy that prevents her from telling her daughter she was adopted. Asha is told the truth and given the letter on her 18th birthday. She doesn't take the news well.

        The awful sound of their daughter's weeping overtook the room. Nandini stared at Prem, bewildered, wondering how their close little family could have split into so many jagged, ill-fitting pieces.

Asha's birth mother is Mala Sharma. Mala is a PhD student and she's attracted to a white guy. Mala's mother Veena, meanwhile, is busy arranging for her to meet a suitable (i.e. South Asian) husband. The choices that immigrants make from day to day are well portrayed. Which traditions to keep or discard. How to balance fitting in to the larger settler Canadian society with family values and expectations. When one of Mala's friends asks what's troubling her, she considers how best to explain.

        Mala paused. She often encountered confusion, if not disdain, from her non-Indian friends -- although less so if they were also children of immigrants -- when she tried to explain to them certain realities of hr life, which many deemed insupportable. She tended to fail at impressing the importance of respect over rebellion. The group over the individual. Responsibility over want.

Mala starts keeping secrets from the people she loves. It doesn't go well.

        Like a strip of tape being slowly pulled away from a wall, Mala felt herself split in two, the way she always felt whenever she told lies, her true self sinking below to safety while her other self pushed through her pores like a numb second skin.

Anita Kushwaha's writing relies heavily on metaphor and simile. "A monster of grief tried to scratch its way out through her skin." Here's a passage from newly-widowed Veena Sharma's point of view:

        She woke as sprawled as a starfish. Sunken by a leaden feeling, she pictured her husband, Pavan, frowning down on her, clothed in white shrouds and wreathed in pale light. She heard his deep voice, whispering in her ear like a waft through the feathery leaves of a tamarind tree: "You've forgotten me already, champakali." A sudden chill ran through her like a trickle of melting ice along her spine.

There are three white characters in the novel, all named for trees: Willow, Rowan and Ash. I kind of like that: it gives me the idea that white Canadians are like a forest. The brown characters shine as they take turns on centre stage. While the melodramatic style is too theatrical for my taste, I enjoyed getting to know Asha, Nandini, Mala and Veena.

Giller chances: LOW 

This post is part of a series. I'm on the Shadow Giller jury this year, so I'm reading as many qualifying Canadian titles as possible in order to come up with my own longlist prediction before the official one that will be announced on September 8, 2020. To see my other reviews that are a part of this project, click on the Shadow Giller tag. Also, please visit our Shadowing the Best of CanLit website to see what the rest of the Shadow Giller jury are up to. Thanks for visiting my blog. 


Wednesday, August 12, 2020

Home Sickness by Chih-Ying Lay

Home Sickness: Stories by Chih-Ying Lay
Translation from Mandarin by Darryl Sterk
Linda Leith Publishing, March 2020

Ten insightful, melancholic stories set in contemporary Taiwan.

Born in Taipei, Chih-Ying Lay is now a microbiology research scientist in Montreal, as well as a singer and the author of previous short stories and a novel. This is the first time his fiction has been published in English. The author is gay and some of his stories include gay characters. In 2019 (which is after these stories were originally published), Taiwan was the first country in Asia to legalize same-sex marriage.

Music is a common element in these stories. Here's a passage from 'The Seafaring French Horn.' 

        The sound of the French horn isn't overbearing like the trumpet's. It often struck me, as I listened to you practise, that the sound was just like the shape, convoluted, meandering. It was like liquid light that would fill a room -- a sunbath of notes, so languorous and warm.

Lay introduces every story with an epigraph and I happen to be fond of epigraphs. I like the way they open my brain to the author's possible intentions. Like a corner piece for a jigsaw that I'm about to start, they put me in some sort of frame of mind for what comes next. In this book, they also help to give a sense that Lay's writing exists within a larger context of Asian literature and culture.

The epigraph for 'Epitaph for a Worm' sets its nostalgic mood. 

    I don't even know how long I've been melancholy. -Wang Anyi

I flagged many passages that struck me, whether for their originality, or vividness, or because they had me looking at something in a new way. COVID-19 has quashed my travel plans, so this part in the title story caught my attention:

        At university, you'd read a book by the writer who'd killed himself in the inn. He claimed that people used to be fearful of travel, avoiding it when they could. Leaving the realm of their daily life was a kind of exile. It represented danger, maybe even death. What travellers were most afraid of in the olden days was to be stuck in a forest at night, far from the nearest town, when the sight of any light would turn anyone into the proverbial moth to the flame.

Darryl Sterk lives in Taiwan and is highly regarded as a translator. I heard him speak at the Vancouver Writers Fest last year about his translation of Wu Ming-Yi's The Stolen Bicycle. In the introduction to this collection, he explains Chinese kinship terminology as its used here, particularly in the last three stories, and advises: "If you get lost, check the dramatis personae at the beginning of 'Tomb Raiders.'"

While there are aspects of the stories that clearly belong to Taiwanese culture and landscape, the human motivations will be familiar to anyone. People looking for love and respect. People grieving. People wanting a better life for themselves or their families. People balancing the pull of tradition versus the desire for modern convenience and style. People coming to terms with things that cannot be changed.

Giller chances: MEDIUM HIGH - Not every story is equally strong, but the characters tend to live on beyond the page. I think this collection might be on the periphery of the longlist, so it will depend on the strength of the other contenders whether this makes the list or not.

This post is part of a series. I'm on the Shadow Giller jury this year, so I'm reading as many qualifying Canadian titles as possible in order to come up with my own longlist prediction before the official one that will be announced on September 8, 2020. To see my other reviews that are a part of this project, click on the Shadow Giller tag. Also, please visit our Shadowing the Best of CanLit website to see what the rest of the Shadow Giller jury are up to. Thanks for visiting my blog.

Thursday, August 6, 2020

The Library of Legends by Janie Chang

The Library of Legends by Janie Chang
Audiobook [11 hours] read by Emily Woo Zeller 
HarperCollins, April 2020

Compulsively readable historical fiction with fantastical elements.

The story opens in September 1937 in Nanking during the second Sino-Japanese war:

        The approaching aircraft were too far away for Lian to tell whether they were Chinese or Japanese. A moment later, she didn't need to guess. The spiraling wail of sirens churned the air. Then the bombs began falling, like beads slipping off a necklace.
        She had been on her way to the train station. She'd gotten off the rickshaw to buy a steamed bun for breakfast. Now she stood outside the bakery as though rooted to the pavement, uncertain what to do. The nearest air-raid shelter was two blocks away, across from the railway station, its entrance already besieged. Even if she were willing to abandon her wicker suitcase, she would never reach the shelter in time.

Nineteen-year-old Hu Lian, a university scholarship student, had intended to take the train to Shanghai to meet up with her mother, who was fleeing the fall of Peking. But during the time it took her mother's letter to reach her, thousands of refugees have already been flooding the International Settlement area of Shanghai. 

As a consequence of the uncertainties of war, Lian ends up joining her fellow students in the evacuation of their university instead. They are to walk westward for 1,000 miles, travelling by night to avoid aerial bombing and sleeping on floors in meeting halls and temples. Classes continue along the way, whenever possible. It reminded me of the flexibility required of education during a pandemic. 

The group that Lian travels with consists of over a hundred students plus professors and staff. Each student has been entrusted with a single volume from an ancient collection of myths and legends. They are to carry this cultural treasure to safety along with them. 

It soon becomes apparent that guardian spirits are making a similar journey, and that a supernatural being is travelling with the student refugees. The fantasy elements are beautifully woven into a plot that also features murder, betrayal, political manipulations and romance. 

Giller chances: MEDIUM LOW - It's a hopeful page-turner with a great message about the supportive power of community during hardship. Genre fiction doesn't fare well in literary prize judging, but this book will please many readers.

NOTE: I recommend the immersive experience of the audiobook read by Emily Woo Zeller. 

This post is part of a series. I'm on the Shadow Giller jury this year, so I'm reading as many qualifying Canadian titles as possible in order to come up with my own longlist prediction before the official one that will be announced on September 8, 2020. To see my other reviews that are a part of this project, click on the Shadow Giller tag. Also, please visit our Shadowing the Best of CanLit website to see what the rest of the Shadow Giller jury are up to. Thanks for visiting my blog.


Sunday, May 31, 2020

May 2020 Reading Round-Up

Of the 30 books I read in May, these are the highlights:

Flèche by Mary Jean Chan

Mary Jean Chan grew up in Hong Kong and moved to England as a teenager. She competed in the sport of fencing, which is where the title of this brilliant poetry collection comes from. Flèche, which sounds like 'flesh,' alerted me to the importance of the corporeal in these poems. Of bodies that long for food and love. Discovering her lesbian self, multilingualism, and a complex daughter-mother relationship are some of the subjects. I keep finding new, bittersweet delights each time I reread this book. 

tell the one who 
detests the queerness in you that dead 
daughters do not disappoint
------
Wish
I would like to live like the trees
my lover often says look up!
as she admires a canopy of green
her tree-like behaviour astounds me
if you looked within me now, you‘d see
that my languages are like roots
gnarled in soil, one and indivisible
except the world divides me endlessly
some days I dare not look at the trees
they are such hopeful creatures
if the legislators of our world
looked to their trees for guidance
would they reconsider everything?

lately I‘ve been trying to write 
a poem that might birth a tree
a genuine acceptance of the self
continues to elude me


How to Pronounce Knife by Souvankham Thammavongsa

An outstanding collection of quiet stories, told with compassion and humour, about Laotian refugees. They are bus drivers, beauticians, farm labourers and factory workers—people with self confidence and integrity. People who carry a sense of home within themselves. People who know the power of laughter. There‘s a porous quality to the writing: the sense of possibility that lies in all that is unsaid and unnamed.

The note had been typed out, folded over two times, and pinned to the child‘s chest. It could not be missed. And as she did with all the other notes that went home with the child, her mother removed the pin and threw it away. If the contents were important, a phone call would be made to the house.
------
At the farm, where processing took place, carrots arrived from warmer climates and sometimes came in unusual shapes. She had to discard those. No grocery store was going to buy something that looked like a balled up fist and call it a carrot.
------
Raymond didn‘t know what happened out there in the ring—a flurry of jabs and punches, and then he was out. At the time, none of that hurt. The pain came afterwards, and matched the sadness he felt in his body like an extra set of bones. 
------
“What, you think you got a chance with that Miss Emily there? She‘s rich and educated. None of the things we are or are ever gonna be. Don‘t you be dreaming big now, little brother. Keep your dreams small. The size of a grain of rice. And cook that shit up and swallow it every night, then shit that fucking thing out in the morning. It ain‘t never gonna happen. That woman ain‘t for you.”

Polar Vortex by Shani Mootoo

As it happens, I started reading this when a polar vortex
covered much of North America in May 2020.
“No matter how long you know someone, or how intimately, you can‘t really fully know them.” 

The underlying unease—all that‘s unspoken between two women who‘ve been married six years and also between two longtime friends—made for a suspenseful read. I love Shani Mootoo‘s nuanced exploration of a complex character, a South Asian lesbian artist from Trinidad who emigrated to Canada after attending university in Toronto. Bonus: insights into experiences of immigration.

It dawned on me that his experiences in Uganda itself was not only a story about his family or about the history of Uganda, but it was a part of Canada‘s history too, as are the conditions in the Middle East that have led to the arrival of the Syrians today. 
------
I began to wonder if the calm in which Alex and I lived was possibly a veneer, beneath which lurked a disquieting incompatibility.
------
An enormous amount of energy is required for a heart to toughen, and in the end it‘s draining. 

The Subtweet by Vivek Shraya

“The idea had come to her […] to write an entire album of songs that focused on the thrill of solitude, the luxuriousness of her own company.“

This novel comes with a link to an entire original soundtrack created by the multitalented Vivek Shraya.

The nuances of friendship, artistic competition and striving to assert individual identity by members of a minority group—in this case, South Asian Canadian women—are extremely well portrayed in this novel set in Toronto. Shifting viewpoints capture misconceptions, miscommunication and insecurities, all of which are exacerbated by social media. At least one of the women is trans, and I love that it isn‘t in any way an issue for these characters, who feel so real I ached for them.

Rukmini had made out that the girl‘s name was Malika from the mandatory name tent displayed on the edge of her desk but they had never spoken to each other. This wasn‘t unusual—there was an unwritten code of silence amongst brown girls in white rooms. Staying separate was a way to assert their distinctiveness and delay the moment when their classmates would “accidentally” refer to one of them by the other‘s name. 
------
She reached for her dad‘s old wooden harmonium, tucked on the bottom row of her bookshelf. He had given it to her when her parents had decided they were officially over the frigid climate and locals and moved back to Pakistan. 

Book synchronicity: I finished Shani Mootoo‘s Polar Vortex, then picked up Subtweet, wherein I read a text exchange between friends, suggesting they go hear Shani Mootoo speak at Harbourfront: “Cereus Blooms is one of my favourite books.” (Mine too! I think to myself.) Then this in Wisdom from a Humble Jellyfish by Rani Shah, the audiobook I had on the go at the same time: “Take it from the reliable night-blooming cereus: knowing what time of day works best for you helps you truly bloom.” 

Girl, Woman, Other by Bernardine Evaristo

A polyphonic verse narrative about queers? Yes, yes and yes! The lives of 12 British characters—women and nonbinary, all members of the African diaspora—intersect and interconnect in delightful ways. Evaristo‘s fluid style kept me rolling along, and that‘s a feat, since I read this at the beginning of May when I had been having difficulty focusing and I was reading this in ebook format (from Hoopla) on my tiny phone screen.

ageing is nothing to be ashamed of
especially when the entire human race is in it together

-------
it’s important to counterbalance the state of being cerebral with the state of being corporeal
-------
gender is one of the biggest lies of our civilization

Decline and Fall on Savage Street by Fiona Farrell

The format is definitely part of the strong appeal of this novel: alternating chapters follow the story of a fancy house in Christchurch, New Zealand, with the story of an eel in the nearby river, beginning in 1906 and advancing two years with every chapter in Part 1, switching to monthly in 2010, up to and after the first big quake. Not much changes for the eel, but the house‘s many inhabitants go through wars, social activism and events like 9/11. By the end you get a wonderful sense of history‘s sweep.

He never knows what to do now: to kiss or not, both cheeks or not. Or his usual solution, knocking noses in the middle. To hug or not. To shake hands or opt for his preferred stance: to stand back, nod and grunt in a way he hopes will be construed as reasonably affable. (COVID-19 observation: this passage was set in 2012. If it was 2020, he would definitely be opting to stand 2 metres away.)
------
Paul categorically refuses to use Barry-speak: consumers, clients, units. They‘re patients, damn it. It‘s a good word, an old word, for people who are waiting as they mostly do, with the touching submission of the ill and damaged, for him or someone like him to do his best to make them well. These are not consumers, fecklessly occupying their free beds, gobbling up some finite resource. They are patients.

The Red Chesterfield by Wayne Arthurson

I felt totally enchanted by this odd crime novella that's told in vignettes. A bylaw officer investigates a complaint about a yard sale, then spots an abandoned chesterfield nearby and then things go sideways when he finds a severed human foot. But this story isn‘t about that mystery. It‘s about a man‘s relationship with his brothers and his girlfriend who is also his boss, and …that intriguing piece of furniture that keeps showing up.

I knew going into this book that Edmonton author Wayne Arthurson is of Cree and French Canadian descent. I like how the central character is slowly revealed to be Indigenous:
1. A comment early on about his people having “a long history with the authorities, a lot of it bad.”
2. Later: “I light some sage, let the smoke blow over me. I‘m too jittery for the smudge to work.”
3. Still later: “Who is it?” [...] “Some Indian,” he says with disdain.”
------
When I sit, I don't fall to the ground. The red chesterfield is real.
It is also extremely comfortable, further supporting my belief that this is a chesterfield and not a sofa or a couch. Only chesterfields have this kind of bearing. The springs are well maintained, the fabric soft to the touch without being rubbery. My hands have tactile sensitivity, making them defensively reactive to materials. Velvet and velour give me the heebie-jeebies, while some leathers can be too smooth.

Killing and Dying by Adrian Tomine

Six impeccable slice-of-life stories told in comics format. Deadpan wit, emotional nuance, perceptive observations and lots of warmth for these sad, alienated, frustrated characters. These are the kinds of stories with a whole lot going on in the gutters and outside the confines of the pages. Tomine uses clean lines, matching subtly different art styles to the mood of each story.





La légèreté par Catherine Meurisse

Parisian political cartoonist Catherine Meurisse overslept and missed her bus… and thereby missed being killed or injured like her colleagues at Charlie Hebdo in 2015. In this emotional, philosophical and darkly funny memoir in comics format, Meurisse turns to beauty, literature and art for answers as she struggles through grief and disassociation to put her life back together. Also available translated into English with the title “Lightness.


Welcome to my planet.
Why a minute of silence in honour of victims?
What we need is a century of burning rage!

[my translation]

Clap When You Land by Elizabeth Acevedo
Audiobook narrated by the author and Melania-Luisa Marte

I raced through this novel in verse, captivated by the situation and the characters. Two half-sisters, born two months apart, only learn of each other‘s existence after their father dies. One lives in the Dominican Republic and dreams of becoming an obstetrician, the other is an out lesbian in NYC. Both are kind, fierce and stand up for themselves. Their stories alternate, read by two different narrators in the audiobook, including the author.

If you asked me what I was, and you meant in terms of culture, I‘d say Dominican. No hesitation, no question about it. Can you be from a place you have never been? You can find the island stamped all over me, but what would the island find if I was there? Can you claim a home that does not know you, much less claim you as its own?

The Dutch House by Ann Patchett
Audiobook narrated by Tom Hanks

Family relationships, obsessions, resentments, forgiveness, and a mother who mysteriously abandons her children—all of these are ingredients that appeal to me. I don‘t know why I put off reading this, even though I‘ve enjoyed Patchett‘s previous works. Late to the party, but happy to say that I enjoyed the riches-to-rags saga very much, and the audiobook narration by Tom Hanks is wonderful. His delivery of the chapter numbers has a verve I haven‘t experienced in audio before.

There are a few times in life when you leap up and the past that you'd been standing on falls away behind you, and the future you mean to land on is not yet in place, and for a moment you're suspended knowing nothing and no one, not even yourself.

Cold Comfort Farm by Stella Gibbons

Book club responses…

A: I thought I would like it more than I did.
B: Spent a day trying to visualize the layout of the farm based on a descriptive paragraph early on, felt confused, and then I bailed.
C: Liking it so far, but not very far into it—Flora hasn‘t arrived at the farm yet.
D: Forced myself to finish it.
E: Hated! They don't talk like that in Sussex. My beloved Sussex is maligned in this novel.
F: Hated the Roz Chast illustrations on the cover so much I couldn‘t bring myself to read any of it (not in the mood for misery).
Me: It was hilarious! I loved it so much I plan to listen to the BBC radio drama adaptation.

“Does she go to school?” asked Flora. “How old is she?”
“Seventeen. Nay, niver talk o‘ school for my wennet. Why, Robert Poste‘s child, ye might as soon send the white hawthorn or the yellow daffydowndilly to school as my Elfine. She learns from the skies an‘ the wild marsh-tiggets, not out o‘ books.”
“How trying,” observed Flora.
------
“What‘s that you‘re making?” he asked. Flora knew he hoped it was a pair of knickers. She composedly shook out the folds of the petticoat and replied that it was an afternoon tea-cloth.
------
The dawn widened into an exquisite spring day. Soft, wool-like puffs of sound came from the thrushes‘ throats in the trees. The uneasy year, tortured by its spring of adolescence, broke into bud-spots in hedge, copse, spinney and byre.
------
He stood at the table facing Flora and blowing heavily on his tea and staring at her. Flora did not mind. It was quite interesting: like having tea with a rhinoceros.